John Lathrop

Bach and The End of the Monsoon

Can music and spirituality have a place in a political thriller?  I think they can, if they’re sub-themes illuminating character.  In The End of the Monsoon, Mrs Ambler, an idealistic lawyer, is also an amateur musician and practicing Buddhist.  Her guilt over her illicit affair strengthens her desire for at least a breath of transcendence.

In 1983 I thought I had such a breath in the wee small hours of the morning, while playing the clavichord in my third world luxury apartment in Riyadh, Saudi Arabia.

In my novel I transferred this experience to the character of Dr White, a no-nonsense, middle-aged expatriate English doctor in Phnom Penh.  read more »

Music and civilization

I’ve just reread, from cover-to-cover, for the first time in years, Lang’s Music in Western Civilization–first published in 1941. My edition dates from 1969. I’m more impressed than ever.

His authority runs through all 1,030 pages. Here are the first lines of the Introduction: read more »

Five octave, unfretted clavichord after Friederici, 1765

I had owned and played a small fretted clavichord since 1982, and in 2004 I started researching five octave, unfretted clavichords, with the idea of building an instrument suitable for playing all of J.S. Bach, and Haydn’s F Minor Variations from 1793. read more »